I
think the opening could have benefitted from a little introduction
chapter, a "calm before the storm".
The
ending was disappointing - to be plain, it was bad, really bad.
Casually
introducing a couple whose romance wasn't fully developed or in
stupider cases like this one not even developed at all (see also:
Elfen Lied manga, Naruto, NARUTARO) having a baby is an unforgivable
offence in itself. But having the most ego-centered character I've
ever witnessed give birth is just abominable. The worst possible
mother (You're hungry, baby? Well too bad, cause you're NOT ME. But
your crying is annoying, so DO get out of my face!) should not have a
baby at all for that reason alone.
One
has to wonder how she even introduced herself to her new family. I
bet it was something like "Well my family split up and there's
only two guys I could stay with, the bug (who I never really cared
about but tossed a pity fuck, because, why not) or the violent,
psychopathic fat guy from the earlier plot who's really good at
fucking. Meh, either way is fine." The splitting up part, while
justified in-universe, made really no sense whatsoever. Could Shokou
ever live completely alone? She's coming to the last reunion on her
own, so she probably (especially after her earlier experiences)
doesn't have a boyfriend. She was never shown to have friends (only
the opposite). She calls her sister ONCE a year. But she can, after
not even being able to leave the house, all of a sudden get her life
back on track and go to college? If that's what happens, author, at
least SHOW US, otherwise it's just bullshit you pulled out of
nothing. The father doesn't go to Russia to work the job he has
already accepted? What? But he still survives without a home or job
for years? Huh? Laziness much?!
Takako
is really a case of underdevelopment and laziness. First of all, her
entire life consists of violently reacting to harassment, being
annoyed by her mother and especially father - and sex stuff. She is
never shown having interests, hobbies, dreams, plans. That could make
for a very unique and interesting character, of course, but like I
said, the development is simply not there, with the author rather
going for a LOT of repetition in her facial expressions and behavior.
Since the mangaka had done more than a dozen works before, this is
not just a beginner's fault, sadly.
Second,
Takako has no emotional connection to any other person, ever. Her
only friend is quickly discarded (from the plot as well), her mother
is really not a likeable being in any way, her father is really not
much more than a lunatic. But the fact there is no relationship with
her older sister either is once again extremely jarring and
unrealistic. If there was something that tore them apart after early
childhood (they seem cheerful in the car ride in the last chapter),
it has to be shown. Akiko (or Shokou? - the fanlation wasn't
consistent on that) has been heavily traumatized and there is not a
single instance of her sister comforting or hugging her (again,
compare with Narutaro. In some respects, Shiina is very similar to
Takako). If Takako was really THAT unable to relate to any other
person, it would be called out by other characters in the story. The
same really can be said about Shokou too, there is never any attempt
on her side to BE comforted. The mother is a drunk and the father a
crazy man, so there IS only each other's sister to hold on to. And
this story isn't intended as some shonen thingy where realistic
emotions don't play a part. Showing emotional impacts on the
characters again and again, and on the other hand having things don't
add up left and right is simply unforgivable. To sum things up, the
couple out of nowhere shitting out of a baby in the last chapter is
always something really insulting, but in this case it contradicts
the story so much it's beyond atrocious.
The
drawing style is solid and detailed. Takako's room is deliberately
decorated in a childish way. I found the mutant-like faces of some
rowdies and cult people hilarious. Sometimes I couldn't tell the sex
of a character (Takako's friend) or characters apart, and there is
some inconsistency with e.g. Takako's height (she looks like she's
maybe 10 in some shots) and the way Shokou's face looks. Never mind
the chapter title drawings, they are just stupid fanservice, cause if
they were meant to symbolize that the 2 girls were stripped bare
psychologically, that sure didn't happen.
The
father's pathetic death in the end is also lessening the manga. If
anything, he should spit in their faces from converting him from a
successful businessman (flashback) to a lunatic and sick moron in the
timespan of a single year. Having a dysfunctional family like that
literally robbed him of his life. (Maybe killing Takako and then
committing suicide WOULD have been the right choice on his part...)
Arigatou my ass, and that's really the perfect summary of this manga.
Summary:
Even if the abovementioned flaws and idiocies wouldn't occur, the
manga's spectrum would really have had to be broadened a lot more to
create a top tier work. There's no sense of wonder here like in
Narutaro, which, despite its piling up flaws and plotholes, is a
magical work akin to experiencing a dream; the psychological
exploration of the characters, while clearly attempted, was just not
developed enough.
On the plus side, this manga was very daring and explicit with its sexual stuff (probably the part that was intended to draw people into reading this), but even that was pretty much dropped in the second half.
On the plus side, this manga was very daring and explicit with its sexual stuff (probably the part that was intended to draw people into reading this), but even that was pretty much dropped in the second half.
Not
recommendable.
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